10 Facts on Orientalism in the 19th Century Art for a Presentation

10 Facts on Orientalism in the 19th Century Art for a Presentation To fully understand how and why the facts to be presented in the following paragraphs will be useful to anyone working on a presentation on art in the 19th century, a brief discussion on orientalism and what it entails is necessary. Orientalism refers to the orient or east as well as every concept that comes from the east. Similarly, Orientalism in 19th century art takes into consideration the effects eastern cultures located in the Middle East and North Africa had on 19th century art and the movement it inspired. So here are 10 facts on the orientalism wave that swept the West during the 19th century. The French invasion of Egypt in 1798 by Napoleon Bonaparte was largely responsible for Europes interest in all things oriental. The invasion which lasted till 1801 led to the inclusion of oriental culture in the art, literature and music scenes in Europe. The book Description de lEgypte, which was published in 1809 through 1822 consisted of four volumes describing Egyptian culture, topography, architecture and population was considered the most influential authority on oriental culture in the 19th century. It served as a major inspiration to French artists,   architects and decorators of the 19th century and its influence could be seen as part of the architecture and art of 19th century France. European artist’s depiction of violence in the orients were fabricated and inspired by the need for propaganda to enforce the Wests sense of superiority over the oriental way of life. The famous works of Eugene Delacroix were created basically to promote the stereotype of Arabs and Muslim men as savages hell-bent on tormenting Christians and destroying the western way of life. Delacroixs famous works The Massacre of Chios and the Death of Sardanapalus were painted without the artist ever visiting the Near East.   His works were based on newspaper clippings, shady eyewitness reports and romantic literature. In the 19th century, even supporters of Eugene Delacroixs work criticized the accuracy of his art by stating that his images were simply derived from pictures of the plague and the Paris mob. European Artists had no access to the women of the orient. In the 19th century, Muslim women lived privately and could not be accessed by men who were not relations or husbands without the men risking injury to their person. Famous 19th century artists such as Jean-Leon George, Jean-Auguste Ingres, Delacroix and Theodore Chasse Riau had based their famous painting of oriental women on hearsay and in some cases French models. Jean-Auguste Ingres popular series of paintings depicting Odalisque, the eastern concubine of a Turkish Sultan was actually the painting of a French model named Madame Felix. Photographic images of the orients were tampered with. The advent of photography in early 1800, and the corresponding advances made by scientists in capturing real-life images had little or no effect to the modes of capturing oriental culture. Ironically some images of the orients were taking but in most cases, photographers preferred to stage scenes rather than capture the reality of the East. According to photography scholar Nissan Perez, photographers chose to stage scenes so as to reinforce the Wests myopic view of the orients. Orientalist art was hugely popular in the 19th century. All over Europe France, Britain, Italy etc. the fascination with the East led to the formation of art groups that placed their focus on explaining oriental culture through art. In 19th century France, 1893 to be precise, the Society of Orientalist Painters was founded and its honorary leader was Jean-Leon Gerome who visited Morocco just once but painted images of Turkey and Western Asia and claimed they were factual. On Jean-Leon Geromes only visit to Morocco, he wrote about his disillusionment with the fact that the subject matters of his paintings were not the reality on ground. The orients spurred a new wave of romanticism in art. The romantic era of European art was largely influenced by imaginations and stories of the orients. Although orientalism in art was looked down upon in the 19th century, the Romanization of oriental subject matters fascinated millions. A large percent of the famous painters and artists of the 19th century based their work and made their names from creating eastern inspired art. Oriental art circa 1760s focused on the landscape and architecture of the East. It was in later years of the 19th century that artists became enamored with representing oriental culture in art. Orientalist painters made up the harems. Eroticism and the false idea that women from the orients were erotic by Western males created a whole genre of exotic art in the 19th century. According to Ruth Bernard Yeazell, the depictions of Eastern harems were based off western male fantasies and stories on what an oriental harem should look like. Foreign male painters were not allowed into the seraglios but relied on stories from other women as inspiration. Unlike oriental art depictions, harems were more familial than erotic. What western painters termed as harems, were actually family centers and places for social gathering for women. Richard Francis Burton toured Mecca in El-Madina and he reports a more family oriented arrangement were wives stayed separately from husbands instead of the western version of harems. While western women saw harems as places of social gathering, Western males who had happened to form the majority of the painters viewed harems as a sexual place regardless of the facts. Factual representation of life in the orients exists. In the arts of the 19th century, some artist stuck to reality and produced realistic depictions of the East. Some famous examples are the Italian artist Ippolito Caffi, who actually lived in the East and produced original art on life in the orients. Another notable mention is Fausto Zonaro, an Italian artist who became the official Ottoman court painter. These artists including Gentile Bellini represented Middle-eastern women as reserved and demure unlike the majority of French oriental artists. Criticism of oriental art became widespread in the 20th century. The false nature of oriental life shown in 19th century paintings has been actively denounced by writers over the years. Edward Saids work Orientalism was influential in challenging the Wests perception of oriental culture and women as depicted in the popular artworks of the 19th century.Other notable critical works include Ruth Bernard Yeazell’ s Harems of the Mind: Passages of Western Art and Literature and Howes Orientalism in French 19th Century. References: Suren, L. (2010). Photography, Vision and Production of Modern Bodies, 70-80. Irwin, R. (2006).  Dangerous Knowledge: Orientalism and Its Discontents Princeton Archeology Journal, Global and Views: Nineteenth Century Travel Photographs. http://web.princeton.edu/sites/Archaeology/rp/globalviews/gv1.html Jiman, M. (2009). Representation of Middle-Eastern Women in Orientalist Paintings in Nineteenth Century: A Comparison of French and Italian Orientalists. https://theskinnyjeanrant.com/2014/05/01/representation-of-middle-eastern-women-in-orientalist-paintings-in-nineteenth-century-a-comparison-of-french-and-italian-orientalists/ Alexandra, J. (2009). Orientalism in French Nineteenth Century Art: The Enigma of the East. http://bestamericanart.blogspot.com.ng/2014/05/orientalism-in-french-nineteenth.html?m=1 Nancy, D. (2008). The Origins of Orientalism. https://www.khanacademy.org/humanities/becoming-modern/intro-becoming-modern/a/orientalism Thomson, G. (2008). The International Encyclopedia of the Social Sciences: Orientalism. encyclopedia.com/topic/Orientalism.aspx

Why it is so difficult to evaluate the influence of women on Viking Essay

Why it is so difficult to evaluate the influence of women on Viking society - Essay Example The saga writers of the 13th century belonged to an oral tradition, which embraced written culture like the Holy Bible. It is characteristic of Scandinavian or Norse societies, that they had never had any hierarchical form of governing. But Viking societies now had a king, who served as a ruler, and men were the dominant group in the society and the family. All these social aspects were then highlighted in epics and romance. As a result, saga writing became a political act in gender relations under this situation. The ideological view of the binary opposition formed a kind of "stereoscopic" view on women as depicted in the sagas, paying special attention to gender roles and the contexts of these performances. First, when one looks at women's representation in one of the oldest forms of Icelandic literature, the 'Gylfaginning' saga, most of the gods are represented as warriors, and are thus heroic images. This depicts the social role of males as being the 'external' heroes and proves their dominance both in the society and in their own family. Goddesses such as Frigg and Freyji usually represented marriage, motherhood, fertility, love, household management and domestic art2. Frigg and Freyji are the highest goddesses from the sir and Vanir races. In addition to their divine images, they are always seen as role models for the moral code for Viking women. Oral literature or written sagas were the major entertainment for Vikings, so the sagas worked as 'social education', developing the stereotype and the binary ideology in the Viking society. With this change and suppression of the past, there still were "strong women" in oral sagas in the Viking age. But nevertheless women we re constrained from playing the role of remembering and preserving the connection with the past, and evoking it in a way that minimizes its potential disruption of, or threat to, the present symbolic order3. Additionally, because of changes in political, social and religious culture, Viking women have lost their power in the public sphere. That's why women in sagas have always been the subordinate group under the authority of the male in the family. As in the Laxdoela Saga, the father was the one who decided about Gudrd's first marriage to Thorvald, a man she did not love4. This fact shows that women were under male's authority and seldom appeared in public. They were powerful in their limited private surrounding, taking care of their household and family, but still faced the binary opposition that influenced their society and the role and power of Viking women. Ultimately, it has blurred or flattened the influence of female Vikings on Viking society. To understand the social and historical function of sagas in Old Norse society, it is necessary to see, how women were represented in early legislation, together with their life's depictions in archaeological documents. In the medieval Scandinavian culture and from my study of the sagas, Viking women were always signified and related to the household and to nurturing their family and children. We can see this from one of the oldest sagas in Northman Literature, the Saga

Nature and culture Essay Example | Topics and Well Written Essays - 1000 words

Nature and culture - Essay Example Considering the various sociological perspectives that can be taken with regard to nature and culture, two stand out from amongst the others. These are the structural functionalist perspective and the conflict perspective both of which consider nature and culture in very different lights. To better understand how they differ and the distinctions made by them with regard to nature and culture it would be useful to examine them individually. First, structural functionalism is founded on the idea that society is composed of structures that are supposed to perform a certain function. In essence, both nature and culture are social structures but culture is more of a social construct than nature (McClelland, 2000). For instance, if a culture is connected deeply to the principles of monogamy it is entirely possible that the cultural elements of the society would lead to the government outlawing polygamy. On the other hand, some cultures may permit polygamy or even polyandry and thus the socially constructed laws in that country may give individuals the permission to create families in that manner. However, the functionalist perspective would suggest that the role of the family unit in both cultures could be more or less the same and the role is not solely dependent on the way in which the family is formed. Therefore, the role of culture in the functionalist perspective would be understood by examining the function performed by culture for a given society. The role of nature becomes something which deals with the individual and the skin bound individual may not be included in the debate on the functions of culture for society. However, the nature of the individual may function quite importantly for a person who interacts with society and thus his/her own nature may cause her to seek out groups which form a sub-culture in the larger culture. On the other hand, the conflict

Thoreaus Where Lived And What Lived For Philosophy Essay

Thoreaus Where Lived And What Lived For Philosophy Essay Take a moment and think for a few seconds, what you have done for your typical day. The majority of us would says, we normally rush through our typical daily tasks, or what not, trying to get those accomplished one by one, as much as we could, in a given time. Tasks may differ in each person of different ages, positions, classes or even lifestyles. But those things give us one common thing, a nature of what we called, the chaotic . Then, at the end of the day, we are exhausted with stress from chaos and routines of the day. Very often, we dont have time, or perhaps with lack of willingness, to spend time with our love ones and do things we are passionate about. In the essay Where I lived and what I lived for, Henry David Thoreaus [1817-1862] expression appeals me of the importance and value of living the simple life nature affords, that I believe, it is as necessary now as it was back in his time. I support Thoreaus philosophy and idea of living a simpler life, where one can enjoy ea ch and every activity, where one is content rather than rushing to finish his or her daily chaos. I found Thoreaus writing style is complex and hard to understand throughout in that essay. It has at least 3 to 4 commas in each sentence, which makes me harder to follow all the way though. It seems like Thoreau put his sentences with as much information and words as he could till, as if, they were overflowing from the page. But after a few times repeat reading that, I think I was able to take hold of the basic argument he is trying to make. I discovered Thoreaus Where I lived and what I lived for made a very compelling argument for his going to live in the woods. Many examples have supported his beliefs in that essay. The essay opens with Thoreau seemly stating his purpose for moving to a cabin on Walden Pond. He is claiming the woods to be a supercilious place to live close to life. Throughout his essay, he simplified life to as small possible form as he could. I consent with his argument about simplifying life and cut off those are not essential and the routines that we having in our daily life. Thoreau moves to the woods so as to drive life into a corner, and reduce it to its lowest terms, and the fact that he wanted to live deep and suck out all the marrow of life, (Natural acts 33). Perhaps, even in this recession period, some point every year isolate ourselves and relieve from all the stress we have been carried throughout the year and make our life simpler surrounded by nature. But it might only works for those w ho make the time and have the time, for others, they might not be able to dream about it. His respect to the nature and desire of living simplicity as nature is almost religious and glorify God and enjoy him forever (Natural acts 33). Although disagreed as to whether the world as made by God or the devil, Thoreau has uncertainty about it, he wants to live his life as intensely as possible. Let us spend one day as deliberately as Natureà ¢Ã¢â€š ¬Ã‚ ¦ Thoreaus interpretation toward nature is with admiration, adoration and value (33). But it is only the way he sees the nature, not everyone could agree with him, not even the writers who compose about the nature could. Joyce Carol Oatess [b. 1938] expression, in her essay Against Nature(Natural Acts 42), toward the nature the subject is there only by the grace of the authors language makes suggests that we do not need to rely on our senses but we only rely on language for our understanding of our surroundings (45). If on all sides of her was random, wayward, nameless motion, she would not even know herself that: We all are the product of the Mother Nature. Meaninglessness cannot produce the meaning itself. Her belief that Nature is mouth, or may be a single mouth ignores the privileges of birth and the existence of the death (46). The two authors has the same vision on that, Thoreau also state that when I came to die, discover that I had not lived. None the less, I found that they both have a deep philosophical concern about the meaning of life in their essays. Thoreau is pretty much correct in the sense that he makes us out to be robotic go about our day in a tedious way. Mostly, we all have our own routines that we have been followed through big part of our life that we hate to change. Throughout the reading on his essay, the only one thing I dont completely understand was about the train, sleepers and people that line the track, or buried under the track if some have the pleasure of riding on a rail, others have the misfortune to be ridden upon. My best knowledge to understand that is, at the time period he was written this(1854), he means the people who were wealthy enough to ride on the new trains on the new tracks that are traveling all over the country, and the people who cant afford it, had to build the rail tracks for their living. But I dont know the relationship between this and the simplifying our lives, so maybe I still dont understand what he is trying to say. In conclusion, the description of Thoreaus search for eternal truth is perhaps his finest poetry. Life means not just a physical functioning but also eternal fulfillment inside. Where I lived and what I lived for portray nature as the simple way of life. Henry David Thoreau has a main goal, to reverse the blindness of humanity to nature. People day to day strive for obtaining the most wealth, the most foods, the most of everything. Many of us found that, as we grew older, it is not essentially more money or the fame, or the power that make our lives happier. Oftentimes it is the simple things we can do in our lives that lead to achieve the great happiness in life.

John Fitzgerald Kennedy - JFK Essay -- President Kennedy

John Fitzgerald Kennedy - JFK John Fitzgerald Kennedy was born in Brookline, Massachusetts, on May 29, 1917, the second son of financier Joseph P. Kennedy, who served as ambassador to Great Britain during the administration of Franklin D. Roosevelt. He graduated from Harvard University in 1940, winning note with the publication of Why England Slept, an expansion of his senior thesis on Britain's lack of preparedness for World War II. His part in the war was distinguished by bravery. In August 1943, as commander of the U.S. Navy torpedo boat PT-109, he rescued several crewmen after a Japanese destroyer off the Solomon Islands rammed the boat. His heroic rescue of survivors of his crew won him the Navy and Marine Corps Medal as well as the Purple Heart. In 1953 He married Jacqueline Lee Bouvier, daughter of a wealthy Wall Street broker, they had two children Caroline & JFK JR. In 1946, and with the enthusiastic help of his brothers and sisters won the Democratic nomination to the House of Representatives in the ele venth district of Massachusetts. His mother and sisters organized teas at the homes of voters, while his father furnished campaign funds. He won the election and as Congressman voted for Truman's welfare programs, including expanded social security benefits, aid to veterans, and old-age benefits. In 1952, Kennedy upset the veteran Republican Senator Henry Cabot Lodge by winning his seat in the US Senate. He and his family began working tirelessly for his presidential nomination as early as 1956. In 1956 Kennedy almost gained the Democratic nomination for Vice President, and four years later was a first-ballot nominee for President. Millions watched his four television debates with the Republican candidate and current Vice President, Richard M. Nixon. Winning by a narrow margin in the popular vote, Kennedy became the first Roman Catholic President. His Inaugural address offered the memorable injunction: "Ask not what your country can do for you--ask what you can do for your country." As President, he set out to redeem his campaign pledge to get America moving again. His economic programs launched the country on its longest sustained expansion since World War II; before his death, he laid plans for a massive assault on persisting pockets of privation and poverty. This plan was named the new frontier; his ideas were used for years to come. Ke... ... â€Å"of landing a man on the moon and returning him safely to earth† The space program fascinates the American people. In the early 1960s whenever space flights were launched during school hours students would gather in gyms and auditoriums to watch the lift offs on television. The race to the moon continued through the 1960s. It is one of the nations single most expensive projects of the decade, costing $56 billion. On November 22, at 12:30 PM CST, while riding in an open limousine through Dallas, Texas, Kennedy was shot in the head and neck by a sniper. He was rushed to Parkland Memorial Hospital, where efforts to revive him failed. A commission headed by Chief Justice Earl Warren concluded in September 1964 that the sole assassin was Lee Harvey Oswald, a former U.S. Marine. Oswald, who was captured hours after the assassination in a nearby theater, was himself killed two days later by Dallas nightclub owner Jack Ruby while being moved from the city to the county jail. The state funeral of President Kennedy was watched on television by millions around the world. He was buried in Arlington National Cemetery. To this day JFK is still considered one of the nations best presidents.

Morality vs Duty Essay

When we hear stories about soldiers and about war, it’s usually about patriotism for one’s country, their duty, the bravery of the soldier who died in battle, and the pride at a soldier’s return. The story that is not typically heard is what it really feels like to put on a uniform, go to war, and come home. The psychological and emotional trauma these young men and women face in war is nothing short of moral anguish. This is evident in Haruki Murakami’s gruesome story, â€Å"Another Way to Die.† Here is a lieutenant struggling with the barbaric orders he was given to execute three prisoners with a bayonet and a fourth prisoner with a baseball bat. Throughout the story the lieutenant would often repeating his orders and muse over the senselessness of the act. In sum, he says, â€Å"What the hell good is it going to do to kill these guys? †¦adding a few bodies to the count isn’t going to make any difference. But orders are orders. I am a soldier and I have to follow orders† (1039). Ultimately, the lieutenant employs another soldier to execute the final prisoner with a baseball bat. Perhaps this is an example of the lieutenant’s inability to go against his moral fiber. He does his duty by making sure the order is carried out, but he cannot do it himself. As one can only imagine, it can be difficult to bludgeon someone to death. This soldier, ordered to carry out the task, had never even held a baseball bat before. Yet, they were all surprised when the prisoner, â€Å"with his last drop of life,† sat up, â€Å"as if he had fully come awake† and then grab on to the veterinarian standing nearby (1041). The lieutenant had to fire his gun for the first time ever at a human being. However, he chose not to think about it until after the war was over. How could he? Certainly he wouldn’t be able to do his duty if he let his morals get in the way. In Frank O’Connor’s story, â€Å"Guests of a Nation,† one can assume that duty would become obsolete-Especially since the prisoners and captors had become friends. The tone of this story seems hopeful. The scene is in a cozy little cottage run by an odd, but likable old woman. The characters are all cheerful and friendly towards each other. It is difficult to keep in mind that there is a war going on and that these four are enemies. Even the narrator, Bonaparte, has a hard time believing they are hostages and is surprised and saddened when he learns that he may have to shoot them (1024-1025). Hawkins, the more animated hostage, has a hard time believing it as well. It’s not until the very last moment that he realizes they’re earnest. He says to Donovan, â€Å"What have you against me, Jeremiah Donovan?† (1027). That he knows his full name and it comes naturally to say it aloud, should be enough proof that these men are not enemies. Hawkins asks if anyone thought he would shoot Noble if he had to and Donovan points out, â€Å"yes, you would†¦. Because you’d know that you would be shot for not doing it.† Regardless, Hawkins insists he would never shoot a pal. Hawkins contends that his morals are higher than his duty. But then again, he’s not the one holding the gun. Bonaparte, keenly aware of the gun in his pocket wishes they would attempt to run away, knowing he wouldn’t shoot at them if they did (1027). Donovan, their leader, never did get too close to the hostages and seemed to have no problem firing at them. His sense of duty was high. He asks Belcher if he understands that they are only doing their duty, to which Belcher remarks, â€Å"I never could make out what duty was myself. I think you’re all good lads, if that’s what you mean. I’m not complaining† (1029). I’m not actually that sure Belcher would have shot either of them if the roles were reversed. It is difficult enough to cope with the loss of a friend. One can only imagine if you were the one ordered to kill your friend. How does one come out of something like that? Noble turned to God. Bonaparte never feels the same about anything again. Surely this is not something that they will easily move past. Think about it; all our lives we’re taught what is right and what is wrong. Then, one day, you are ordered to torture or kill a stranger. Even when they’re interrogating a prisoner the right way-that is, not torturing them- they are gaining intimacy just so they can exploit them. At what point does duty beat morality? The truth is, for most soldiers, it doesn’t. Despite the task they are ordered to execute, virtually every soldier has an overwhelming sense of guilt and regret. Is a soldier’s guilt worth their sense of duty in the end? I highly doubt it. Perhaps, this is the reason those stories are often swept under the rug. The shame is too much to admit out loud.

The Journey Of Taking Film - 986 Words

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Taking a closer look at Kill Bill Vol 1 and Vol 2, it becomes apparent how amazing of a film director Quentin Tarantino truly is. First of all Tarantino had never filmed or worked on a martial arts film before, so Tarentino learned as he filmed the movie. Although he did his research and talked to his peers Tarentino ended up shooting scenes over and over again to get every little detail correct. Tarantino has utilized many cinematography techniques The fact that Tarantino stepped out of his comfort zone is unheard of for a director, and on top of that to film a masterpiece as well is absolutely remarkable. Those leapsShow MoreRelatedRole of the Woman in Film1171 Words   |  5 PagesRole of the Woman in Film For many years, feminists have believed that the success of classical film is based on portraying women as objects and something to be acquired by men, but I don’t think that is the case. 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